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After
getting an engineering degree in 1984, I realised I didn’t
want to be an engineer! I started doing drawings and strips
for fanzines such as Killing Stroke and Harrier’s
Avalon, before getting my first Future Shock
in 2000AD in 1988.
A couple more Future Shocks were followed by 2 series of Medivac
318, written by Hilary Robinson, Trash
by Paul Kupperberg, Strontium Dogs – Return of
the Gronk and The Darkest Star by
Garth Ennis, Red Razors by
Mark Millar and some more Strontium Dogs by Pete Hogan. My last
work for 2000AD (to date?) was a Vector 13 story in Prog 958.
During this
period, I also did 3 issues of Judge Dredd, Legends
of the Law and an issue of The Demon
for DC, Hilary Robinson’s Melissande
for Mindbenders and a lot of wildlife illustrations.
A period of commercial work for clients
such as Eagle Star and Polydor Records followed, before I started
working for Fleetway’s Sonic the Comic,
mainly on Knuckles, with Nigel Kitching. I also worked on Tails,
Sonic and Amy, as well as colouring artists such as Roberto
Corona and Richard Elson.
After a brief stint writing and drawing
the Teenage Mutant Hero Turtles for the BBC’s
FBX magazine I started work on Dark Horse’s Digimon
comic, doing covers and line art. Sadly, the comic was short
lived, although I later produced a number of comics for Panini's
UK Digimon.
I now work for a large number of different
clients doing illustration, design and licensed character work.My
most recent comic strip work has been Magpie
(still looking for a home) with Nigel Kitching, a strip for
the Games Workshop’s Inferno,
a number of Power
Rangers strips for
Panini’s Fox Kids Wickid magazine, colouring Roberto Corona
and John Gillatt on Manuwahi
and Scorer respectively
and Billy the Cat
for the Beano. I have also recently produced illustrations for
My Little Pony, Mr. Bean's Amazing
A-Z and Angelina's Fairy Tales. I
am currently working on Spiderman and Friends
for Panini, colouring The Tempest for Classical
Comics and will be doing more Billy the Cat
soon. |
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